RS / ARCHIVE
PHOTOGRAPHY / FRAGMENTS / MEMORY

RAUL
SIEGERS

AN UNFINISHED INDEX OF
PEOPLE, DISTANCE & LIGHT.

001 / AFTER DARK
MEMORY

SOME THINGS
ONLY APPEAR
IN THE DARK.

ROOT

003 / AMONG GIANTS

LIGHT DOESN'T
EXPLAIN.
IT REVEALS.

Child among blue hanging lights with a glowing phone
004 / LIGHT / NEAR
Green points of light suspended in darkness
004.1 / LIGHT / FIELD
Silhouette beneath warm falling points of light
004.2 / LIGHT / FIGURE
Child moving through purple points of light
004.3 / LIGHT / MOVEMENT
FIELD
STUDY

06 / DISTANCE

RUN

WHAT WE HOLD
HOLDS US.

MONUMENT

009 / SCALE IS A FEELING

ARCHIVE / SELECTED TRACES

WHAT
REMAINS.

NO CATEGORIES. NO EXPLANATION.
ONLY THE NEXT IMAGE.

01 / AFTER DARK / FIRE
02 / AFTER DARK / FIRE
03 / AFTER DARK / FIRE
04 / AFTER DARK / FIRE
05 / AFTER DARK / PORTRAIT
06 / AFTER DARK / PORTRAIT
07 / HUMAN / POOLSIDE
08 / HUMAN / POOLSIDE
09 / HUMAN / POOLSIDE
10 / LIVE / LIGHT
11 / LIVE / LIGHT
12 / LIVE / LIGHT
13 / STEAM / SCALE
14 / WATER / EDGE
15 / WATER / TRACE
16 / SHORE / DISTANCE
17 / SHORE / APPROACH
18 / SHORE / NEAR
19 / SHORE / MOVEMENT
20 / SHORE / WITHDRAWAL
21 / SHORE / RETURN
25—27 / THE SAME SHORETHE NEXT SECOND.
THEN THE NEXT.
22 / SHORE / CLOSER
23 / BIRD / NEGATIVE SPACE
24 / NEAR / HUMAN
25 / BODY / LETTERS
26 / FIELD / REACH
27 / CROWD / SUSPENDED
28 / CROWD / BREAK
29 / LIVE / FOLD
30 / LIVE / PRESSURE
31 / LIVE / AFTER
32 / NIGHT / THROUGH TREES
33 / BODY / GEOMETRY
34 / FLASH / PORTRAIT
35 / FIELD / FIRST LIGHT
36 / GROUND / STEAM
37 / GROUND / OBSERVERS
38 / SHORE / SCALE
39 / CITY / ISOLATION
40 / PERFORMANCE / GESTURE
41 / LIGHT / THROUGH TREES
42 / LAND / BREATHING
43 / LAND / HEAT
44 / WATER / FORCE
45 / CITY / OBSERVER
46 / CITY / MEMORY
47 / CITY / BLUE
48 / CITY / DISTANCE
49 / CITY / CANYON
50 / CITY / WEATHER
51 / TOWERS / SMALL LIGHTS
52 / REFLECTION / AFTER IMAGE
53 / UP / GEOMETRY
INDEX / VOL. 012
ABOUT / 010

I photograph what feels temporary — people, places, light, distance, and the small evidence we leave behind.

This archive isn't arranged to explain the work. It is a place for fragments to remain fragments.